In Close Proximity

The group exhibition, In Close Proximity, takes a look at how oppressed cultures constitute their identities and attitudes in society. Each thread of identity weaves itself into other complex cultures, who relate to one another through the practice of religion, language, customs, politics and technology, affecting their environments.

In Close Proximity cascades a luminous query of the anticipated, imagined, “notion as nation”, as Political Scientist Benedict Anderson observed, that communities were ‘socially constructed by the people “. Argument-ably, our communities are affected and shaped by local conflicts, which may or may not allow the community to progress. Despite each region’s dilemma of conflict, the exhibition attempts to connect diverse cultures, by inviting artists questioning these conflicts, and geographies, resulting to re-examine history. Hence by mirroring the environments, and cultivating rich storytelling, In Close Proximity transforms the local identity and geography, and the impact it has in the world.

Resist Flags, 2016, Alessandra Mondolfi, Aerial Photograph, Installation, fabrics

Unfortunately, tension exists among these oppressed cultures due to social/political unrest, environmental degradation, lack of legal support, freedom of speech, religious practice, and the right to democratize their voice.

These present-day conditions stunt progress, consequently trapping these communities toward acts of desperation and resistance. In the instance of Mohamed Labat’s, Refugee Camp, 2016, beautifully color muted photographs, reveal children looking out into a horizon worthy of question and, uncertainty. However, new ideas develop from their existing conditions, and in Labat’s example of the Sahawari people’s spirit of determination, a new generation of trans-identities and/ or trans- communities- of progressive mindset, rise - to will and establish autonomy, in respect to their land, history and people.

Refugee Camp, Sahawari's, 2016/17, Mohamed Sulamin Labat, Digital Photography

These trans-identities/communities create pivotal relationships about themselves (who they are) and with others, chiefly with authorities, established structures and social norms. Trans-identities/ communities strive to separate themselves from already existing communities, which raises the question if their action-based methods seek validation, or if it’s an unquenchable desire for societal inclusion, underscored by political interest. Is the exile, an act of resistance, geared towards progress and change? Untitled (don’t be alarmed or afraid blck), 2009, depicts a stark, authoritative protest post, camouflaged by its own blackness. Although the post, heeds a message to the viewer, it's not a threat. Guerrier’s decision to question his place in society by choice of color, decrees more of guarded stance, than aggressive opposition. 

Untitled (don’t be alarmed or afraid blck), 2009, Adler Guerrir, Wood, Paint